A 'folded-up' structure with narrow apertures and strokes curled up towards the vertical, most obvious on letters such as c, e, s and a. The 'J' has a top bar, the 'M' centre does not descend to the baseline and the 'G' and 'R' are simplified in the manner of Futura. Karl Gerstner notes that even comparing one size 20pt , the medium and bold weights have different x-height , cap height and descender length to the light and regular weights. Retrieved 7 October
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Like most grotesque sans-serifs, Akzidenz-Grotesk's slanted form is an oblique rather than a true italic. Grotesj 26 June Much more loosely, Transportthe typeface used on British road signs, was designed by Jock Kinneir and Margaret Calvert influenced by Akzidenz-Grotesk. Miedinger sought to refine the typeface making it more even and unified, with a higher x-height and tighter spacing.
Originating during the late nineteenth century, Akzidenz-Grotesk belongs to a tradition of general-purpose, unadorned sans serif types known as "grotesques" that had become dominant in German printing during the nineteenth century, and became one of akidenz most popular examples of this style.
As bread-and-butter faces they are less good than the old sans faces…I find the best face in use today is the so-called ordinary jobbing sanserif, prp is quiet and easy to read. Separately, Karl Gerstner and other designers at his company GGK Basel launched a project in the s to build Akzidenz-Grotesk into a coherent series, to match the new families appearing in the same style; it was used by Berthold for its Diatype system in the late 60s under the name regulat "Gerstner-Programm" but according to Lange it was never fully released.
Akzidenz-Grotesk - Wikipedia
A 'folded-up' structure with narrow apertures and strokes curled up towards the vertical, most obvious on letters such as c, e, s and a. Views Read Edit View history. Retrieved 18 January Berthold AG Date released ? Several other type designers modelled typefaces from this popular typeface.
Story of a Typeface. While apparently not unpopular, Akzidenz-Grotesk was not among the most intensively-marketed typefaces of the period, and was not even particularly aggressively marketed by Berthold.
Berthold sued Target Corporation for copyright infringement and breach of contract inalleging that Target had asked a design firm to use the font in a promotional video akzidfnz a license.
Paul Shaw Letter Design blog. From Wikipedia, the free encyclopedia.
Akzidenz-Grotesk in use
Monotype Newsletter, also printed in Motif as "Letters without Serifs". Archived from the original on 12 January Retrieved 22 December Many other grotesques in a similar style to Akzidenz-Grotesk were sold in Germany during this period.
Retrieved 7 October Retrieved 1 March Akzidenz-Grotesk is used on the national logo and national guidelines require the font to be used on all chapter logos.
Retrieved 17 January Retrieved 24 December Retrieved 21 July Inthree notable competitors of Akzidenz-Grotesk appeared intended to compete with its growing popularity: Digital Typefaces Inspired by akzisenz Past.
Akzidenz-Grotesk is sometimes at first glance mistaken for the Helvetica or Univers typefaces.
Шрифт Akzidenz-Grotesk Pro Regular - noMail
With its horizontal and vertical strokes of almost the same thickness and its regularized capital letters with few variations of width, Akzidenz Grotesk stood out starkly on the page — especially when that page also included the highly-decorated types that were popular in the same era.
Each weight is available in two fonts featuring alternative designs. This regulae was last edited on 13 Octoberat